Glenn Vilppu Drawing Tutorials Collection Here

Glen Vilppu Drawing Manual Chapter 1, Gesture | avi | 680 MB

"Gesture is the single most important element in the drawing". The action of the figure is usually expressed as "gesture".
It means the movement and attitude of the figure. It is body language and all of those subtle differences that characterize individuals,
be they human or animal. Glenn breaks this down into a series of steps that are easy to understand and apply.

Download:

Code:





Glen Vilppu Drawing Manual Chapter 2 - Spherical Forms
Glen Vilppu Drawing Manual MBChapter 2, Spherical Forms | avi | 687 MB

Now that you've mapped out the action of the pose, the next step in the process is to define your figure in 3-D space.
Learning to see your subject in terms of simple shapes and forms along with values is one of the basic elements in learning to draw.
Glenn breaks this down into a series of steps that are easy to understand and apply.


Download:

Code:




len Vilppu Drawing Manual Chapter 3 Box Forms
Glen Vilppu Drawing Manual Chapter 3 Box Forms
| avi | 670 MB
The box is like the sphere in Lesson 2. It is a critical form that you must learn how to draw if you are serious about developing your drawing skills.
The ability to draw the box is a necessary basic skill. If you don't have a complete mastery of this, it will hinder your development as an artist.
Glenn breaks this down into a series of steps that are easy to understand and apply.
Download:

Code:



Glen Vilppu Drawing Manual Chapter 4 Combining Spheres and Boxes
Glen Vilppu Drawing Manual Chapter 4 Combining Spheres and Boxes 669 MB

In lessons 2 & 3 we developed our skills at handling spheres and boxes, manipulating them, and giving them personalities.
In this lesson, we combine them and at the same time introduce two new elements.
Glenn breaks this down into a series of steps that are easy to understand and apply.

Download:

Code:



Glenn Vilppu - Chapter 11, Direct Lighting



volume 6 of the vilppu drawing series

Code:





Head Anatomy and Construction, Pt 1
Head Anatomy and Construction, Pt 1

Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: General lecture, drawings, and models to draw

Code:



Head Anatomy and Construction, Pt2
Head Anatomy and Construction, Pt 2

Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains two lectures, one each for eyes and nose, eye and nose drawings, as well as heads and eyes to draw.

Code:



Head Anatomy and Construction, Pt 3
Head Anatomy and Construction, Pt 3

Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: Mouth and Ears lecture, drawings and models to draw.

Code:




Proportions
Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: lecture, drawing, models to draw from, and demonstration

Code:




Drawing Manual Lecture Series - Chapter 10, Indirect Lighting and Model Tone
The Chapters follow along with the Vilppu Drawing Manual. Each DVD is a separate lecture in the series from the manual. All combine for an excellent study of drawing and Glenn's philosophy around drawing and life.

Source: [url=http://e45.org/?http://www.vilppustore.com/Figrdvd.htm]E45.org[/url]


The first half of this manual has been primarily concerned with creating form using line, emphasizing the need to visualize the whole form and to draw across the surface of the form to show its volume. In learning to see spheres, boxes, and cylinders, we focused on seeing the corners of forms and used these basic visual tools to help us see the orientation of the forms in space and to draw them. In reality, we see things primarily in tone, not line. In this chapter, and the next two, we will discuss three distinct methods of using tone. The three approaches, which are indirect lighting, direct lighting, and atmospheric perspective are distinct but generally used in various degrees together. Glenn breaks this down into a series of steps that are easy to understand and apply. Covers the concept of modeling tone.


Code:


Drawing Anatomy Lecture Series - Feet
Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: lecture, drawing, models to draw from, and demonstration.

Code:



Drawing Anatomy Lecture Series - Hand
Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: lecture, drawing, models to draw from, and demonstration.

Code:




Drawing Anatomy Lecture Series - Neck
Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: lecture, drawing, models to draw from, and demonstration.

Code:





Drawing Anatomy Lecture Series - Pelvis
Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: lecture, drawing, models to draw from, and demonstration.

Code:




Drawing Anatomy Lecture Series - Upper Torso
Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: lecture, drawing, models to draw from, and demonstration.

Code:




Drawing Anatomy Lecture Series - Upper Arm
Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: lecture, drawing, models to draw from, and demonstration.
Code:





Drawing Anatomy Lecture Series - Lower Arm
Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: lecture, drawing, models to draw from, and demonstration.

Code:






Drawing Anatomy Lecture Series - Upper Leg
Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: lecture, drawing, models to draw from, and demonstration.

Code:





Drawing Anatomy Lecture Series - Lower Leg
Source: [url=http://e45.org/?http://www.vilppustore.com/anatdvd.htm]E45.org[/url]

These instructional DVDs focus on specific anatomy and will give more detailed instruction than the Drawing Manual Lecture Series.
All include demonstration lectures by Glenn as well as models to draw from. This Series of DVDS follow Glenn's anatomy course.
Each lecture covers in detail the essential anatomy for the artist.

Contains: lecture, drawing, models to draw from, and demonstration.

Code:



Drawing Lecture Series - Drawing Drapery
Source: [url=http://e45.org/?http://www.vilppustore.com/Gendvd.htm]E45.org[/url]

Contains: lecture, drawing, models to draw from, and demonstration. In conjunction with the Book on Drawing Drapery, this becomes a complete course on how to draw drapery.

Code:



Drawing Lecture Series - Quick Sketch
Source: [url=http://e45.org/?http://www.vilppustore.com/Gendvd.htm]E45.org[/url]

Contains: lecture, drawing, models to draw from, and demonstration. Great with the Vilppu Quick Sketch book and the Sketching on Location Manual.

Code:










Chapter 12 - Atmospheric Perspective
Atmospheric perspective is normally discussed in conjunction with landscape painting since its true effect is primarily seen in nature in conjunction with great distances in space. The figurative artist has taken this sense of atmosphere and developed it as a strong tool of expression by abstracting the main elements and learning to use them while describing form. In the last two chapters, I have already indicated some of the main elements involved in atmospheric perspective. First, the graying and loss of detail as objects recede in space due to more atmosphere coming between the viewer and the object. Second, the use of this phenomenon in a formulaic manner by artists to separate forms. In this chapter, using the idea of atmosphere will be expanded upon to include its use as a basic element of design in drawing to enhance the action of the figure and to clarify the three dimensionality of the form. Glenn breaks this down into a series of steps that are easy to understand and apply. Contains: Lecture, demonstration and a model to draw.

Code:



Chapter 5, Ellipses and Cylinders
In the first four lessons, we have been basically dealing with the torso of either human, animal or cartoon characters without actually calling them that. In this lesson we want to expand on that direction by adding appendages to these basic forms. The primary skill required to do this is being able to draw cylinders. Glenn breaks this down into a series of steps that are easy to understand and apply. Contains: Lecture, demonstration and a model to draw.

Sources: [url=http://e45.org/?http://www.vilppustore.com/Figrdvd.htm]E45.org[/url]

Code:



Chapter 9, Combining 2D & 3D Observations
The reality of drawing is that we draw on a two dimensional piece of paper; the drawing is not a three dimensional object. Up to this point, our efforts have been almost exclusively concerned with creating that three dimensional illusion on a two dimensional surface. We used a series of tools and procedures that didn't necessarily rely on the model, but on an ****ytical and constructive approach to drawing the figure. In drawing from the model, i.e. reality, rather than from imagination or an ideal, we must develop a set of visual tools to help us make that translation from the real three dimensional world (3-D) to the flat two dimensional world (2-D) of the paper. Glenn breaks this down into a series of steps that are easy to understand and apply. Contains: Lecture, demonstration and a model to draw.

Sources: [url=http://e45.org/?http://www.vilppustore.com/Figrdvd.htm]E45.org[/url]

Code: